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It peaked at number three, and it was certified gold by RIAJ. Dai-Shocker , " The Next Decade ". Thus Gackt calls them "Visualive", because they are formed by a story, video images, music, theatre and musical elements, as well as live performance. See media help. While at the casino, he met a businessman who inspired him to find a purpose in life, that being music. released Gackpoid , a Vocaloid using a recorded selection of Gackt's voice. Although there were high expectations for the group, [67] [68] since their debut performance on June 29, , at the Anime Expo in Long Beach, California , no further activities were announced. I, which started on May 11, and ended with three consecutive shows on July 7 at the Yokohama Arena. It peaked at number seven, spending six weeks on the charts. Problems playing this file? It peaked at number three, spent five weeks on the charts, [23] and was certified gold by RIAJ. Gackt recalls that Kenshin was always portrayed as a very tough man. It peaked at number three, spent 23 weeks on the charts, [23] and was certified platinum by RIAJ. In March, his thirtieth single and the series' opening theme, " Journey Through the Decade ", was released, peaking at number two and spending 25 weeks on the charts, [24] and certified gold by RIAJ. It was Gackt's first single to reach number two spot on the charts, spent 17 weeks on them, [24] and managed to sell over two hundred and fifty thousand copies. It was released on April 19 in Japan, and screened on May 13 at the Cannes Film Festival and on April 12, , at Philadelphia Film Festival. In , on April 24, he released his eleventh single " Wasurenai Kara ". It is Gackt's best-selling album, reached number two on the charts, and was certified gold by RIAJ. It spent 13 weeks on the charts and was certified gold by RIAJ. A year later on July 4, , at a concert at the Nippon Budokan , Yellow Fried Chickenz was disbanded. For Caparison Guitars , Gackt designed two guitars, named "Marcury" and "Venus", which he occasionally uses in his live performances. Gackt's number one spot on the charts. First, he traveled to Madagascar for the TV show Ima Hadaka ni Shitai Otoko-tachi いま裸にしたい男たち [] then participated in the children's documentary, Hero's Hero, both aired on NHK. The film was released on April 19 in Japan and screened on May 13 at the Cannes Film Festival and on April 12, , at Philadelphia Film Festival. It peaked at number four, spent 10 weeks on the charts, and enjoyed considerable success. It peaked at number four, spending five weeks on the charts. It peaked at number four and spent nine weeks on the charts. to Asia", by DATV at Tokyo Dome, whose profits were planned to help street children in Cambodia and the Philippines. The album peaked at number two, spending 12 weeks on the Oricon charts. Party", which also continued with four concerts in Korea and Taiwan. Brain , [] and the film.{/INSERTKEYS}{/PARAGRAPH} Thus his vision, which presented him clean-shaven and with long hair, received harsh criticism, but Ken Ogata expressed his approval and supported Gackt's work in the drama. It peaked at number three, spent 21 weeks on the charts. In Europe, he visited 9 countries and performed 14 shows. Gackt moved to Tokyo and joined them in October After having completed his recordings, his first gig as a solo artist was the 99 Gackt Resurrection tour held in 11 locations across Japan. Besides the words of encouragement, he performed an unreleased song especially written for the graduation. The album includes previously released singles "Seki-Ray" and "Secret Garden". They peaked at number nine and number seven, respectively, and both spent six weeks on the charts. It was his fourth time performing the national anthem. It also peaked at number five, through 11 weeks on the charts, and was certified platinum by RIAJ. His album Diabolos was released on October 26 in eighteen European countries. On July 31, , Internet Co. On December 10, he appeared at the China Fashion Awards in Beijing, where was given the award "Japanese Artist of the Year". in song " Ares ". However, he found such way of expression very exhausting and difficult, with a profitability that is not in accordance with the demands of entertainment industry. They are symbolical and psychological stories about the repetition of human sins, war and the question of what is the ultimate meaning of human life. {PARAGRAPH}{INSERTKEYS}Main article: Malice Mizer In the early s, Gackt was working as a host and dealer in a casino, while also being an assistant drummer for an amateur band. It peaked at number five, spent eight weeks on the charts, [23] and was certified gold by RIAJ. He co-wrote the script and did his own action scenes on location in Taiwan. Thanks For Music" show held in Yoyogi National Gymnasium, in Japan. At the time he wanted to become more serious about his music activity but had a negative perspective on life. It was later recorded in English, Korean and Chinese language. The final concert was held on July 10, at Zepp Sendai. Overall, a total of 42 concerts in thirty cities were held, with an audience of about , people. They formed the band, Cains:Feel, whose name had biblical reference to the story of Cain and Abel. Gackt's introduction to filmmaking , in addition to music videos, came in and with two TV documentaries. In , on March 14, Gackt released his eighth single, " Kimi no Tame ni Dekiru Koto ", which peaked at number six, and charted for 18 weeks, Gackt's longest-charted single until It was Gackt's first concept album, conceived around a fictional narrative during the time of World War II , named "Requiem et Reminiscence". On October 27, the eighteenth single, " Kimi ni Aitakute ", was released. It reached number four on the charts [23] and was certified gold by RIAJ, [58] his last album to achieve this. These are the first singles that were not written by him, and were released by Avex Trax and Avex Entertainment. It peaked at number five and charted for nine weeks. It reached number nine on the charts. It peaked at number five, spent 13 weeks on the charts, [23] was certified gold by RIAJ, [49] and was re-recorded in Korean and released on June 14 for the Korean market.